No, No, Nanette

NO, NO, NANETTE is a lighthearted framework for the music of Vincent Youmans. This is the story of Jimmy Smith, and all the trouble he gets into and out of on a summer weekend. Included in the score are two of the most famous show tunes ever written: Tea for Two and I Want to Be Happy. Standard numbers like Too Many Rings Around Rosie and You Can Dance with Any Girl at All accompany many other delightful songs. The whole experience is refreshing, silly and uplifting!


In this revamped version billed as “The New 1925 Musical” NO, NO, NANETTE started the nostalgia craze on Broadway. It is a show that takes the audience by the hand and leads it back to the Never-Never-Land of the Twenties for some good, clean fun. Things were dearer, sweeter and sillier then, and so is NO, NO, NANETTE now.

This is the story of Jimmy Smith, and all the trouble he gets into and out of, on a summer weekend in New York and Atlantic City. Jimmy is a hard working and successful Bible publisher who travels around the country. During these business trips he meets three single girls whom he befriends. Of course his relationships with them are strictly platonic. Jimmy’s wife, Sue, is a very economical woman, and, although the Smiths are well-to-do, she refuses to spend money the way Jimmy would like her to.

Spending money makes Jimmy happy, and his three friends around the country are more than willing to spend Jimmy’s money for him…and make him happy. Jimmy becomes nervous that Sue will find out about the three girls and misunderstand his relationships with them, so he asks his friend and lawyer, Billy Early, for his help. Jimmy offers Billy ten thousand dollars if Billy will end his relationships with the three girls for him. Billy agrees to this, because as it happens, his wife Lucille is on a permanent spending spree. Billy plans to take Tom, Lucille’s nephew and his law clerk, with him to meet with each of the three girls in San Francisco, Boston and Washington

The Smiths have an adopted daughter, Nanette, who is in love with Tom. But before Nanette settles down, she wants to have some fun. That weekend all her flapper friends are motoring down to Atlantic City, but Sue refuses to allow Nanette to go unchaperoned. Jimmy volunteers to take Nanette for the weekend, and they stay at Chickadee Cottage, a weekend place the Smiths own but rarely use. Without knowing Jimmy and Nanette’s plans, Billy and Tom decide, instead of traveling all over the country, to meet the three girls in Atlantic City. And, with unexpected free time, Sue and Lucille decide to go off on their own for the weekend, to Atlantic City. At the end of the first act, we anticipate all of them meeting unexpectedly at Chickadee Cottage.

The second act begins with Nanette having the time of her life at the beach. The three girls arrive to meet Billy, only to find Jimmy there. It is no surprise that each girl wants Jimmy for herself. When Billy and Tom arrive they try to take over the situation, but the girls are not that easily bought off. Nanette runs into Tom, and both are disturbed that the other is in Atlantic City. Sue and Lucille arrive for their quiet weekend, to discover all the others. Of course there is a series of complications and misunderstandings. The stage is filled with amazed and bewildered people, and unexpected comings and goings. By the end of the act, everyone seems to be in an unsolvable situation.

In the third act things get even more complicated. There are marriages about to be broken, love affairs ended, the threat of scandal, blackmail and more. By the curtain’s fall everything is cleared up and everyone is happy. No wonder all the critics acclaimed this “The Happiest Show In Town.”

Book by Otto Harbach and Frank Mandel
Music by Vincent Youmans
Lyrics by Irving Caesar and Otto Harbach
Adapted and Directed by Burt Shevelove

Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

is presented by arrangement with
MusicScope & Stage Musicals Ltd. of New York

Full Orchestration

3 Violins I & II
1 Viola (and Violin)
1 Cello
1 Bass

1 Reed I: Piccolo, Flute, Clarinet and Alto Sax. Optional: Soprano Sax
1 Reed II: Piccolo, Flute, Clarinet and Alto Sax. Optional: Soprano Sax
1 Reed III: Clarinet and Tenor Sax
1 Reed IV: Oboe, Clarinet and Tenor Sax. Optional: English Horn
1 Reed V: Bassoon and Baritone Sax. Optional: Bass Clarinet

1 Horn
1 Trumpets I & II
1 Trumpet III
1 Trombone I
1 Trombone II (Optional Bass Trombone Attachment)

1 Percussion:

Timpani (One Pedal Drum)
Bass Drum
Snare Drum (Brushes & Sticks)
Tom Tom (Two Sizes)
Wood Block
Temple Block
Cymbals – Suspended
Cow Bell
Siren Whistle
Wind Whistle

1 Guitar, Banjo and Ukulele
Piano (Piano-Conductor’s Score in 2 volumes sent with rehearsal material)

The Broadway orchestration included 2 Pianos, not one.
These two Piano parts (2 volumes each) are available, at an additional charge, with the rental of the full orchestration,
to be used as a substitute for the single Orchestra Piano (playing from the Piano-Conductor’s Score).


(3 female; 3 male)

Pauline — cook at the Smiths’
Lucille Early — Billy’s wife
Sue Smith — Jimmy’s wife
Jimmy Smith — a wealthy Bible publisher
Billy Early — a lawyer
Tom Trainor — Lucille’s nephew
Nanette — a protégé of Sue
Flora Latham — from ‘Frisco
Betty Brown — from Boston
Winnie Winslow — from Washington


Ensemble of Nanette’s friends — male and female singers/dancers

The 1971 Broadway revival had a cast of 45 performers, including chorus. Some doubling was employed in the minor parts.

NO, NO, NANETTE was first presented in London and played for 665 performances at the Palace Theatre. It then ran for 321 performances on Broadway at the Globe Theatre. The New York revival played for 861 performances at the Forty-Sixth Street Theatre in 1971. The cast for the revival included Ruby Keeler, Jack Gilford, Bobby Van, Helen Gallagher, Susan Watson and Patsy Kelly.

Awards (1971)

4 Tony Awards for Choreography, Costume Design, Actress and Featured Actress
4 Drama Desk Awards for Book, Choreography, Costume Design and Outstanding Performer
The Theatre World Award (Roger Rathburn)
The Outer Critics Circle Award for Production