If you’re looking for a fun-filled, foot-stompin’ musical taken directly from the comics, then Li’l Abner is for you. It’s pure entertainment; a side-splitting extravaganza for all. If I Had My Druthers, Jubilation T. Cornpone, Namely You, Love in a Home, Progress Is the Root of All Evil, Rag Off’n the Bush and The Country’s in the Very Best of Hands will keep you laughing. The show is laced with gentle satire, rib-tickling humor, and a host of brash, catchy tunes.
Al Capp’s world famous characters have been placed in an upbeat musical extravaganza. It is a satisfying mixture of hillbilly nonsense and sharp, critical humor that appeals to the sophisticated theatregoer as well as the child within us all.
The curtain opens on “A Typical Day” in Dogpatch, U.S.A. where the motley and lovable characters who inhabit this burgh introduce themselves to the audience. There is the homely Scragg family and Marryin’ Sam, as well as Earthquake McGoon, Daisy Mae, Li’l Abner and Mammy Yokum. It only takes a moment to see that leisure time is at the heart of the local economy and drinking Kickapoo Joy Juice, fishing and the popular Sadie Hawkins Day Dance are the favorite pastimes for Dogpatch’s citizens.
What starts out as a calm day down at the fishing hole is quickly interrupted for Abner and his friends when a “Cornpone Meetin’” is called in the town square by Senator Jack S. Phogbound. This can mean one of two things-either an event of national importance has occurred, or there’s to be “a hideous change in the Dogpatch way of life.” Sure enough, a change is in the wind because the government has completed a study finding Dogpatch to be “the most unnecessary, no-account” place in the whole country, thereby setting the stage for evacuation of the town so that atomic testing can take place.
Consternation abounds among the townsfolk. If they are to be evacuated, Dogpatch’s annual Sadie Hawkins Day Dance will be cancelled. And that means that Daisy Mae won’t have a chance to catch her sweetheart Li’l Abner in what is the only way that boy can join girl in Dogpatch. Oh no! A solution must be found-something that proves their town is a “necessary” place after all. An extensive search ensues and Mammy finally comes up with the item to save the town from extinction-it’s the Yokumberry tonic which she has fed her muscle-bound son, Abner, every day of his ‘natcherel life. The potion is sped off to Washington for further testing, and it looks like Dogpatch and its way of life will be saved.
The communal sigh of relief doesn’t last long before things take another twist. It seems that while Abner is interested in doing the “100% Red-Blooded American” thing, and will give his potion to the U.S. of A., General Bullmoose wants to control the potion himself. If Abner won’t sell it to him, Bullmoose will get it some other way, namely in the form of his shapely girlfriend Appasionata Von Climax. Suddenly Daisy Mae’s future as Mrs. Abner Yokum looks grim, and she and the rest of Dogpatch descend on Washington to save Abner from Bullmoose and Appasionata.
The evening before the Yokumberry tonic is to be released as the cure-all for puny men who want to be strong, a flaw is found in the formula. Abner’s life is saved, but once again the town of Dogpatch is in jeopardy. Isn’t there anything that can be done to save it from becoming a nuclear wasteland? Just as all seems lost, Jubilation T. Cornpone, Dogpatch’s founder, saves the day. It seems his statue was declared a “national shrine” by Abraham Lincoln, given all that Cornpone had done in bringing down the Confederacy during the Civil War. The day is truly saved: Abner can marry Daisy Mae and everyone settles down for a peaceful life of rustic simplicity in Dogpatch, U.S.A.
Among the wonderful tunes included in LI’L ABNER are Abner and Daisy’s gentle duet Namely You, a dream ballad If I Had My Druthers, the hilarious showstopper Jubilation T. Cornpone, General Bullmoose’s Progress is the Root of All Evil, and the political satire The Country’s in the Very Best of Hands. The Sadie Hawkins Day Ballet and fine choral work also contribute to making this a classic American musical.
Book by Norman Panama and Melvin Frank
Based on Characters Created by Al Capp
Original Direction and Choreography by Michael Kidd
Lyrics by Johnny Mercer
Music by Gene de Paul
Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.
The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:
is presented by arrangement with
MusicScope & Stage Musicals Ltd. of New York
2 Violin AC
1 Violin BD
1 Reed I: Clarinet, Alto Sax, Flute & Piccolo or: Clarinet & Alto Sax
1 Reed II: Clarinet, Alto Sax & Bass Clarinet or: Clarinet, Alto Sax & Baritone Sax
1 Reed III: Clarinet, Tenor Sax & Flute or: Clarinet & Tenor Sax
1 Reed IV: Clarinet, Tenor Sax, Oboe & English Horn or: Clarinet & Tenor Sax
1 Reed V: Clarinet, Baritone Sax & Bassoon or: Clarinet & Baritone Sax
1 Trumpets I & II
1 Trumpet III
1 Trombone I
1 Trombone II
1 Trombone III
Timpani (2 Drums)
Snare Drum (Brushes & Sticks)
Flexatone (For “Whammy” Cue)
Piano-Conductor’s Score sent with rehearsal material
A special String Substitute Keyboard Synthesizer part covering the music for Violins, Viola and Cello is available, at an additional charge, with the rental of the full orchestration.
Mayor Dan’l Dawgmeat
Senator Jack S. Phogbound
Dr. Rasmussen T. Finsdale
State Department Man (Cedric Softwicke)
Colonel (Act I, Scene 6)
U.S. Radio Commentator
Russian Radio Commentator
Japanese Radio Commentator
Appassionata Von Climax
Evil Eye Fleagle
Another Colonel (Act II, Scene 5 & 7)
Announcer’s Voice (Act II, Scene 1)
Chad (actor playing Hairless Joe)
Stupefyin’ Jones (non-speaking)
LI’L ABNER played for 693 performances on Broadway at the St. James Theatre. The original cast included Edith Adams, Peter Palmer, Howard St. John and Stubby Kaye.
2 Tony Awards for Choreography and Supporting or Featured Actress
2 Theatre World Awards (Wynne Miller and Peter Palmer)
The Outer Critics Circle Award for Performance